If, as was once said
and regurgitated endlessly since
‘All the world’s a stage,
and all the men and women merely players’
who I wonder is spectating
This impressive production, the cast
the costumes, the sets and locations
impossible to believe is just for the One’s amusement
If that is the case and
one I hold no prejudices against
then what happens if one among us mortals
decides to pursue this pastime?
Not acting as a spectator but living life
as an absolute impotent observer
This is not an easy task
considering the refined teachings as child
employed by family, friends and teachers at close quarters
and from the society more distantly, with lesser investment
Each encouraged to erupt in exhilaration and temper in sorrow
Sorted out, branded, cruelly as unfit
if the physical manifestation be incontextual or incoherent
The implicit deceit of expectation
that dull but constant pressure unavoidable
goading to perform feats
imprinting your name on some stranger’s time
connives expertly for us to assume a role
And once cast
you are immediately typecast
Living life by a template
cautious, smearing crayon only within the outlines
lest you displease
Displease whom?
It’s never a singular
Confusing matters by becoming a collective
How many desire to be a spectator?
Observe without being affected,
be involved yet remain detached
Admiring a magicians magnificent illusion in awe
not preening to decipher it
neither keening to recreate nor alter it
let each urge slip away
Observing an Impala outmanoeuvre a cheetah
with as much dispassion as chancing on
a hollow child of mere skin and bones
stuck firmly in the clutches of inevitability
Restraining the urge to act
refraining from making a dent
defacing the cosmic maya
taking a spray can to a Picasso
While each performs as our karma dictates
no one receiving any more nor less than one deserves
Any belief in this should suffice
in taking the hammer to one’s mould
Destroying that typecast, disowning it forever
Free to inspire and deflate others
spread joy, sorrow, pride and disappointment
in equal orders
Never worrying what the critics say, for
you are no longer performing a role
and spectators are free
to laugh at criticism